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{"id":61179,"date":"2024-10-01T06:05:21","date_gmt":"2024-10-01T14:35:21","guid":{"rendered":"https:\/\/radiocubalibre.live\/la-compositora-marisa-manchado-y-la-soprano-yolanda-auyanet-premios-nacionales-de-musica-2024\/"},"modified":"2024-10-01T06:05:21","modified_gmt":"2024-10-01T14:35:21","slug":"la-compositora-marisa-manchado-y-la-soprano-yolanda-auyanet-premios-nacionales-de-musica-2024","status":"publish","type":"post","link":"https:\/\/radiocubalibre.live\/la-compositora-marisa-manchado-y-la-soprano-yolanda-auyanet-premios-nacionales-de-musica-2024\/","title":{"rendered":"La compositora Marisa Manchado y la soprano Yolanda Auyanet, Premios Nacionales de M\u00fasica 2024"},"content":{"rendered":"


\n<\/p>\n

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Actualizado <\/span>

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La compositora Marisa Manchado y la soprano Yolanda Auyanet son las ganadoras de los Premios Nacionales de M\u00fasica en sus modalidades de Composici\u00f3n e Interpretaci\u00f3n, respectivamente. El Ministerio de Cultura, promotor de los premios a trav\u00e9s del Instituto Nacional de las Artes Esc\u00e9nicas y de la M\u00fasica (INAEM), ha dotado con 30.000 euros cada uno de los galardones.<\/strong><\/p>\n

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\"Marisa<\/source><\/source><\/picture><\/div>
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Marisa Manchado.<\/span>EL MUNDO<\/span><\/span><\/p>\n<\/figcaption><\/figure>\n

El jurado convocado por el Ministerio ha elegido a Manchado (Madrid, 1956) en reconocimiento a su \u00f3pera La Regenta<\/i>, una producci\u00f3n conjunta del Teatro Real y el Teatro Espa\u00f1ol, en la que aprecia “una lectura actualizada de un cl\u00e1sico de la literatura universal<\/strong>, a trav\u00e9s de la que da voz a un personaje femenino ic\u00f3nico, que subraya el largo compromiso de la compositora con la igualdad.” Con esta obra, destaca el fallo del jurado, Manchado “ha contribuido a la ampliaci\u00f3n del patrimonio musical espa\u00f1ol, destacando la integraci\u00f3n de estilos innovadores e h\u00edbridos”. La Regenta <\/i>se suma as\u00ed, seg\u00fan el jurado, “a un corpus de m\u00e1s de 150 obras, entre m\u00fasica vocal, c\u00e1mara, sinf\u00f3nica y otros g\u00e9neros” firmadas por Manchado. La premiada ha construido “una trayectoria en la que siempre ha estado presente la b\u00fasqueda de nuevos formatos y lenguajes, y en la que ha primado la investigaci\u00f3n y la interacci\u00f3n entre diferentes disciplinas art\u00edsticas y acad\u00e9micas, adem\u00e1s de un constante compromiso pedag\u00f3gico”, seg\u00fan el jurado.<\/p>\n

Por su parte, el premio de Yolanda Auyanet (Las Palmas de Gran Canaria, 1970) aparece vinculado a “su aplaudido debut en el papel de Tosca <\/i>en el Teatro de la Maestranza de Sevilla en 2023, con el que ha ampliado una trayectoria de tres d\u00e9cadas marcada por los m\u00e1s exigentes roles femeninos<\/strong>, desde Gilda o Violeta, hasta los belcantistas Norma, Lucia de Lammermoor, Isabel I de Roberto de Devereux, o Lucrezia Borgia, y donde ha demostrado su enorme virtuosismo y capacidad interpretativa”. Adem\u00e1s, el jurado ha destacado que “la calidad de su t\u00e9cnica y carisma esc\u00e9nico han conectado con los p\u00fablicos de los principales teatros nacionales e internacionales en una carrera en la que tambi\u00e9n ha defendido el repertorio zarzuel\u00edstico con t\u00edtulos como Pan y toros<\/i>, La rosa del azafr\u00e1n <\/i>y El barberillo de Lavapi\u00e9s<\/i>“.<\/p>\n

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